Monday, December 12, 2016

WEEK 5 FINAL PROJECT


The Syeus Mottel Photographic Archive; Prototype book titled ‘The View from the Street’


abstract,  


The photography of Syeus Mottel is important documentation to contrast the monochrome Point of View of Life Magazine historical photography.  The 1960’s to the 70’s has been viewed through a lens that imagines singular events removed from the continuum of daily life. In fact, politics and culture, family and protest, and diversity amongst community were intertwined by simply walking down the street. As his ‘diary,’ Mottel’s lens takes him through both the common interaction of daily life and to extraordinary political & cultural events. The View from the Street documents what was witnessed and experienced.

A student of Bruce Davidson at Magnum photography, Mottel’s skill as a documentarian should be recognized by a wider audience, but his work currently remains unknown. This prototype will be a general overview of his street photography, focusing on photography shot in New York City during the years 1967-1972. Included in his archive are street photos of Martin Luther King, Alan Ginsberg, Stokely Carmichael, MoonDog, Charlotte Moorman, Miles Davis. The format of the prototype will be an E-Book of approximately 50-60 images.



introduction,

The Syeus Mottel photography book prototype, The View from the Street will document Mottel’s images  shot at street level which capture both famous people and the anonymous passerby. By focusing on Mottel’s street level photography rather than his documentation of indoor action, we see Mottel’s skill in  photography as he naturally captures events and people without editorializing.  This book will focus on his New York City street photography from 1967-1972. Mottel, who was an active theater director who studied with Lee Strasberg at the Actor’s Studio, used his camera as his ‘diary’ to document all that he witnessed. Unlike Instagram culture where work is instantly disseminated, Mottel’s photography was not widely seen, except for scant publication by international news wire services when he was on assignment. This prototype book will be the first public exposure of Mottel’s photography in book form since 1973.



background,

Syeus Mottel (1930-2014), was a published photographer, noted for his documentation of Lee Strasberg and the Actors Studio and Buckminster Fuller. In 1973, he published a photojournalistic book entitled ‘Charas, The Improbable Dome Builders’, documenting the attempt to build geodesic domes on the Lower East Side on Manhattan. He also appears as the credited photographer in William Greaves’ Symbiopsychotaxiplasm. In 1965, Lee Strasberg of the Actor's Studio granted him exclusive permission to photograph at the Actor's Studio. This resulted in a ten-year photographic archive of the Studio from 1965-1975. His photographic mentor was Bruce Davidson of Magnum Photography.  He then became Media Consultant to R. Buckminster Fuller, and widely published his media documentation of Fuller's activities. When asked what his photographic method was, Mottel replied 'I was looking to make a diary."

Syeus Mottel preserved his photographic archive in its original manila envelopes, with date/subject matter noted by hand on each envelope. Over 500 envelopes with contact sheets and negatives were stored in his apartment. Since his death in January 2014, his son Matthew Mottel has been responsible for the archive.  Matthew Mottel has begun a first digitization of his materials, scanning the covers of the manila envelopes and the contact sheets and organizing the material on a hard drive. This hard drive has over 500 folders that will be reviewed, and properly indexed into a searchable database. Once this is done, the photographs can be categorized, the many subjects can be annotated, and decisions made regarding importance in contemporary aesthetics. For this project, which is focused on street photography, 60-100 images will be selected to make a prototype book which will be the first major survey of Syeus Mottel’s work to date.  

work plan,
The first step is to review the folders individually and find photography that matches the ‘street level’ metric. The contact sheets will be evaluated, based on how well a photo articulates the setting/time period/location that allows the viewer to experience the world at the moment of the photo. With over 500 folders, this will take extensive time and evaluation. As each folder is reviewed, images can be selected that meet the goals of the prototype. These images will be compiled, notated for location/date when available, edited for image quality and prepared for the prototype book consisting of 50-60 images. The format of prototype book will be as digital e-book. Photos will be shown either as a single image on a page or up to 3 images of the same subject on one page. Some contact sheets will be included that create a portrait of Mottel’s process.


Significance

I am acting both as curator, editor, representative and dutiful son in this endeavor. It is my goal to have my father’s work exist within curatorial photographic history of the mid 20th century. Seminal cultural and political figures in Syeus Mottel’s archive include Martin Luther King, Alan Ginsberg, John Cage, Ornette Coleman, Stokely Carmichael, MoonDog, Paul Jenkins, Robert Rauschenberg, Vito Acconci, Charlotte Moorman, Ken Dewey, Buckminster Fuller, Lee Strasberg, Miles Davis etc. Almost all of the photographs within the archive are street style photography, with very few posed or stylized photographs. Selections from this archive as a prototype book will permit a wider audience to view his work for the first time.





WORK PLAN


Week 8 - Start to itemize and catalog archive, research which software is best to use.

Week 9 - Continued work to itemize archive.

Week 10 - Database itemization, organizing completed.

Week 11 - Evaluation of materials, determination of what subjects will be focused on in book presentation.

Week 12 - Start formatting digital/physical mock book.
Week 13 - Editing of photographs, reducing number of selected photos, continued work on format for digital/physical edition of mock book.

Week 14 - Completion of digital and physical mock book. Estimated number of photographs included is 50-60.


RESEARCH


Research links

Archive presentation:












Street photography:









FINAL THOUGHTS

The time spent in Critique Class has been immeasurably valuable. From reading and discussion on critical issues in contemporary art, both which I had some familiarity with and others that were new to me to the consistent workshop and development of both the midterm and final projects, I have been able to expand my methodology for approaching art as a whole.  The peer approach, in which each student gives weekly feedback and critique along with the professorial relationship has expanded my output from a singular vision to a well workshopped group dynamic.

In the first project, whose original model was devised when I was first admitted into the school, as I was thinking of how I explicitly related to ‘digital intermedia’, I had various formats to consider as to how to present the work. The first iteration, which was a simple stream of photos on a website presented an interesting vantage for viewing bulk photographs, but had no finesse. The second iteration, which I transformed a few of the photographs into an ‘adbusters’ style campaign for the ‘Broca Brola’ company; a distribution company of broccoli, was humorous, but perhaps too obvious in its reformulation and appropriation of the Coca Cola visage. In the third iteration in which I created a filmic strip of the photography from left to right, it was clear in response that this was the targeted approach to move forward with. Once I had this approach, I had more formal presentation considerations to make; what material to print the images on, what size, how to present the images, on what type of material etc. The forward motion towards the final result came when I decided to create an iteration that felt as close to the Point of View perspective that I shot the photos. This plan was devised with the acquisition of van window glass that was as accurate as I could find to simulate the experience of seeing the Coca Cola truck drive past. The installation of the window glass proved problematic as I had issues with getting lighting correct. It was only once I realized that the glass would stand self balanced that I augmented the final presentation during the ‘open studio’ visit and was much happy with the result. This change from horizontal to vertical presentation reconfigured the window glass, masked their original function and allowed for better lighting and presentation of the photographs.  I plan to continue to use both the images of the Coca-Cola trucks and the window glass in future work beyond this exact project.

The final project in which I made a mock book of my father Syeus Mottel’s archival photography was exciting and invigorating because I was able to approach the archive through a specific goal and aesthetic in mind. Once I had created a single focus of the type of photography I would choose (street photography), I had created a limiting value that allowed me to make decisions and edit to select upwards of 50 images. I also recognized the constraints that this gave me, and found that even 50 or so images is more than enough for one viewing of a book. Through this project I learned about book design, layout, image editing, cropping, captions, and more. I am excited by the finished mock book, and plan to continue to working with my father’s photographic archive toward an eventual professional publication.

Tuesday, November 29, 2016

Week 4 The Syeus Mottel Photographic Archive; Prototype book titled ‘The View from the Street’


The Syeus Mottel Photographic Archive; Prototype book titled ‘The View from the Street’


abstract,  


The photography of Syeus Mottel is important documentation to shed the monochrome of Life Magazine historical photography.  The 1960’s to the 70’s has been viewed through a lens that imagines singular events removed from the continuum of daily life. In fact, politics and culture, family and protest, and diversity amongst community were intertwined by simply walking down the street. As his ‘diary,’ Mottel’s lens, takes him through both the common interaction of daily life and to extraordinary political & cultural events events. The View from the Street documents what was witnessed and experienced.

A student of Bruce Davidson at Magnum photography, Mottel’s skill as a documentarian should be recognized by a wider audience, but his work currently remains unknown. This prototype will be a general overview of his street photography, focusing on photography shot in New York City during the years 1967-1972. Included in his archive are street photos of Martin Luther King, Alan Ginsberg, Stokely Carmichael, MoonDog, Charlotte Moorman, Miles Davis.
The format of the prototype will be an E-Book of approximately 50-60 images.



introduction,

The Syeus Mottel photography book prototype, The View from the Street will be a document of Mottel’s lens  shot at street level that captures both famous people and the anonymous passerby. By focusing on Mottel’s street level photography rather than his documentation of indoor action, we see Mottel’s skill of  photography as he naturally captures events and people without editorializing.  This book will focus on his New York City street photography from 1967-1972. Mottel, who was an active theater director who studied with Lee Strasberg at the Actor’s Studio, used his camera as his ‘diary’ to document all that he witnessed. Unlike Instagram culture where work is instantly disseminated, Mottel’s photography was not widely seen, except for scant publication by international news wire services when he was on assignment. This prototype book will be the first public visage of Mottel’s photography in book form since 1973.



background,

Syeus Mottel (1930-2014), was a published photographer, noted for his documentation of Lee Strasberg and the Actors Studio and Buckminster Fuller. In 1973, he published a photojournalistic book entitled ‘Charas, The Improbable Dome Builders’, documenting the attempt to build geodesic domes on the Lower East Side on Manhattan. He also appears as the credited photographer in William Greaves Symbiopsychotaxiplasm. In 1965, Lee Strasberg of the Actor's Studio granted him exclusive permission to photograph at the Actor's Studio. This resulted in a ten-year photographic archive of the Studio from 1965-1975. His photographic mentor was Bruce Davidson of Magnum Photography.  He then became Media Consultant to R. Buckminster Fuller, and widely published his media documentation of Fuller's activities. When asked what his photographic method was, Mottel replied 'I was looking to make a diary."

Syeus Mottel preserved his photographic archive in its original manila envelopes, with date/subject matter noted by hand on each envelope. Over 500 envelopes with contact sheets and negatives were stored in his apartment. Since his death in January 2014, his son Matthew Mottel has been responsible for the archive.  Matthew Mottel has begun a first digitization of his materials, scanning the covers of the manila envelopes and the contact sheets and organizing the material on a hard drive. This hard drive has over 500 folders that will be reviewed, and properly indexed into a searchable database. Once this is done, the photographs can be categorized, the many subjects can be annotated, and decisions made regarding importance in contemporary aesthetics. For this project, which is focused on street photography, 60-100 images will be selected to make a prototype book which will be the first major survey of Syeus Mottel’s work to date.  

work plan ,
The first step is to review the folders individually and find photography that matches the ‘street level’ metric. This metric means that the contact sheets will be evaluated, based on how well a photo articulates the setting/time period/location that allows the viewer to experience the world at the moment of the photo. With over 500 folders, this will take extensive time and evaluation. As each folder is reviewed, images can be selected that meet the goals of the prototype. These images will be compiled, notated for location/date when available, edited for image quality and prepared for the prototype book consisting of 50-60 images. The format of prototype book will be as digital e-book. Photos will be shown either as a single image on a page or up to 3 images of same subject on one page. Some contact sheets will be included that create a portrait of Mottel’s process.


Significance

I am acting both as curator, editor, representative and dutiful son in this endeavor. It is my goal to have my father’s work exist within curatorial photographic history of the mid 20th century. Seminal cultural and political figures in Syeus Mottel’s archive include Martin Luther King, Alan Ginsberg, John Cage, Ornette Coleman, Stokely Carmichael, MoonDog, Paul Jenkins, Robert Rauschenberg, Vito Acconci, Charlotte Moorman, Ken Dewey, Buckminster Fuller, Lee Strasberg, Miles Davis etc. Almost all of the photographs within the archive are street style photography, with very few posed or stylized photographs. Selections from this archive as a prototype book will permit a wider audience to view his work for the first time.





WORK PLAN


Week 8 - Start to itemize and catalog archive, research which software is best to use.

Week 9 - Continued work to itemize archive.

Week 10 - Database itemization, organizing completed.

Week 11 - Evaluation of materials, determination of what subjects will be focused on in book presentation.

Week 12 - Start formatting digital/physical mock book.
Week 13 - Editing of photographs, reducing number of selected photos, continued work on format for digital/physical edition of mock book.

Week 14 - Completion of digital and physical mock book. Estimated number of photographs included is 50-60.


RESEARCH


Research links

Archive presentation:












Street photography:




TOWARD A SOCIAL LANDSCAPE
BRUCEDAVIDSON LEEFRIEDLANDER GARRYWINOGRAND DANNYLYON DUANEMICHALS EDITEDBYNATHANLYONS
HORIZON PRESS, NEW YORK, IN COLLABORATION WITH THE GEORGE EASTMAN HOUSE, ROCHESTER, NEW YORK






Wednesday, November 16, 2016

week 3 The Syeus Mottel Photographic Archive; Prototype book titled ‘The View from the Street’


The Syeus Mottel Photographic Archive; Prototype book titled ‘The View from the Street’



abstract,  


The photography of Syeus Mottel is important documentation of a misunderstood era. The 1960’s to the 70’s has been viewed through a lens that hides the true interconnected nature of the period.  Mottel’s lens, as his ‘diary,’ takes him through both the common interaction of daily life and to extraordinary events and he documents it all. The View from the Street will be created as a book prototype focusing on the people and places he encountered in his daily life.  A student of Bruce Davidson at Magnum photography, Mottel’s skill as a documentarian should be recognized by a wider audience but that his work currently remains unknown . This prototype will be a general overview of his street photography, focusing on photography shot in New York City during the years 1967-1972. Included in his archive are street photos of Martin Luther King, Alan Ginsberg, Stokely Carmichael, MoonDog, Charlotte Moorman, Miles Davis.
The format of the prototype will be an E-Book, with approximately 60-100 images.



introduction,

The Syeus Mottel photography book prototype, The View from the Street will be a document of Mottel’s lens at street level that captures both famous people, and the unknown passerby. By focusing on Mottel’s street level photography rather than his documentation of indoor action, we see the skill of Mottel’s photography as the natural state of the events and people he documented without his own perception editorializing the images.  This prototype will focus the work on New York City street photography from 1967-1972. Mottel, who was an active theater director who studied with Lee Strasberg at the Actor’s Studio, used his camera as his ‘diary’ to document all that he witnessed. Unlike Instagram culture where work is instantly disseminated, Mottel’s photography was not widely seen, except for scant publication by international news wire services when he was on assignment. This prototype book will be the first public visage of Mottel’s photography in book form since 1973.



background,

Syeus Mottel (1930-2014), was a published photographer, noted for his documentation of Lee Strasberg and the Actors Studio and Buckminster Fuller. In 1973, he published a photojournalistic book entitled ‘Charas, The Improbable Dome Builders’, documenting the attempt to build geodesic domes on the Lower East Side on Manhattan. He also appears as the credited photographer in William Greaves Symbiopsychotaxiplasm. In 1965, Lee Strasberg of the Actor's Studio granted him exclusive permission to photograph at the Actor's Studio. This resulted in a ten-year photographic archive of the Studio from 1965-1975. His photographic mentor was Bruce Davidson of Magnum Photography.  He then became Media Consultant to R. Buckminster Fuller, with his media documentation of Fuller's activities widely published. When asked what his photographic method was, Mottel replied 'I was looking to make a diary."

Syeus Mottel preserved his photographic archive in its original manila envelopes, with date/subject matter noted by hand on each envelope. Over 500 envelopes with contact sheets and negatives were stored in his apartment. Upon his death in January 2014, his son Matthew Mottel has been responsible for the archive.  Matthew Mottel has begun a first digitization of his materials, scanning the covers of the manila envelopes and the contact sheets and organizing the material on a hard drive. This hard drive has over 500 folders that will be reviewed, and properly indexed into a searchable database. Once this is done, the photographs can be categorized, the many subjects can be annotated, and decisions made regarding importance in contemporary aesthetics. For this project, which is focused on street photography, 60-100 images will be selected to make a prototype book which will be the first major survey of Syeus Mottel’s work to date.  

work plan ,
The first step is to review the folders individually and find photography that matches the ‘street level’ metric. This metric means that he contact sheets will be evaluated, and when a photo meets the standard of articulating the setting/time period/location that allows the viewer to experience the world at the moment of the photo, then the photo will be selected. With over 500 folders, this will take extensive time and evaluation. As each folder is reviewed, images can be selected that meet the goals of the prototype. These images will be compiled, notated for location/date when available, edited for image quality and prepared for the prototype book consisting of 60-100 images.
Format of protoype book will be as digital ebook. Photos will be both individual frames as single image on page, up to 3 images of same subject on one page, and when all photos are unique, contact sheet will be reproduced as image for book.

Significance

I am acting both as curator, editor, representative and dutiful son in this endeavor. It is my goal to have my father’s work exist within curatorial photographic history of the mid 20th century. Seminal cultural and political figures in Syeus Mottel’s archive include Martin Luther King, Alan Ginsberg, John Cage, Ornette Coleman, Stokely Carmichael, MoonDog, Paul Jenkins, Robert Rauschenberg, Vito Acconci, Charlotte Moorman, Ken Dewey, Buckminster Fuller, Lee Strasberg, Miles Davis etc. Almost all of the photographs within the archive are street style photography, with very few posed & stylized photographs. Selections from this archive as a prototype book will permit a wider audience to view his work for the first time.





WORK PLAN


Week 8 - Start to itemize and catalog archive, research which software is best to use.

Week 9 - Continued work to itemize archive.

Week 10 - Database itemization, organizing completed.

Week 11 - Evaluation of materials, determination of what subjects will be focused on in book presentation.

Week 12 - Start formatting digital/physical mock book.
Week 13 - Editing of photographs, reducing number of selected photos, continued work on format for digital/physical edition of mock book.

Week 14 - Completion of digital and physical mock book. Estimated number of photographs included is 60-100.


RESEARCH


Research links

Archive presentation:












Street photography:




TOWARD A SOCIAL LANDSCAPE
BRUCEDAVIDSON LEEFRIEDLANDER GARRYWINOGRAND DANNYLYON DUANEMICHALS EDITEDBYNATHANLYONS
HORIZON PRESS, NEW YORK, IN COLLABORATION WITH THE GEORGE EASTMAN HOUSE, ROCHESTER, NEW YORK